![]() ![]() Only important movements are animated and the visuals are not amazing either. A sensible power system without any sakuga shots will make the series quite dull and stale. ![]() For it to be good, it needs to have some spicy animation and crispy visuals, which this show definitely lacks of. ![]() Is it a good power fantasy? Of course not. Therefore, it is safe to say that there is actual character writing rather than resorting to the same recycled crap we've been digesting for years.ģ. Moreover, the heroine's approach and the main guy being a weapon would mean that there are no girls dripping wet at every corner, protagonists actually putting out effort other than using one OP skill and proceeding to win every match, and an actual power system that makes sense although quite basic. First of all, while the sword's personality and dialogues may seem a bit generic for starters, his chemistry with Fran made the series easier to swallow than what you will usually get in your generic, stale and boring isekai (the girls always support the nice guy no matter what, nice guy gets a harem, never proceeds to get laid until it ends). Unlike most of the side characters who are barely anything and are abysmal to the main plot, the sword who does nothing but brag about his skills while moving on really fast from his past life just decides to let a catgirl use him and eradicate any threats in her path. If you are expecting a good main duo relationship, it does a decent job of that. weird fetish, etc.), which also means the side characters are nothing but stepping stools for the main duo. Such as characters taking plenty of time to grant exposition dialogue to the audience as if they want to listen, characters playing certain tropes just for character development, no matter how rushed or forced it is (mean dude, supposed cool dude but actually has secrets, a girl with a It plays off as a generic isekai for most of the part. Do not go into this having high expectations. ![]() "I’m finding it really enjoyable right now," she said.Rather than me talking about the pros and cons of this show, allow me to list a few of the anime's elements and how to enjoy it despite it being quite generic.ġ. Year 12 drama pupil Sophia Niblock was delighted to be participating in the workshops, including wielding heavy practice swords. The skills had links not only to potential film and television work, but also to "motion capture" techniques used in the huge animated world gaming industry, which was becoming increasing accessible to New Zealand. Mr Sehgal said that learning theatrical combat skills could prove lucrative and positive for drama pupils in the future. He would be developing pupils’ skills in choreographed fight sequences for theatre and film, and passing on a variety of skills and procedures, including how to maintain safe practices. Mr Sehgal had a very wide range of skills: he was an experienced martial artist and swordsman whose martial arts interests began at the age of 6, and was also a choreographer, fight director, scriptwriter, and web designer. The skills the year 12 and 13 pupils were learning would be incorporated in performances of scenes from Shakespeare plays later in the year. "It’s a little different from our usual course work," she said. PHOTO: CHRISTINE O’CONNORĭrama teacher Lauren Mackay said learning combat-related performance skills had already proved popular with her pupils.Ībout 12 had taken part in last week’s sword fighting lesson. Otago Girls’ High School year 12 pupil Sophia Niblock (16) clashes her practice sword with that of fight instructor Jeasy Sehgal yesterday. ![]()
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